Alfred Jarry
Alfred Jarry
Albrecht Dürer
Alfred Jarry
Félix Fénéon
Anonymous
Anonymous
François Georgin
Emile Bernard
Emile Bernard
Emile Bernard
Alfred Jarry
Alfred Jarry
Alfred Jarry
Alfred JarryIn literally binding together Dürer, Georgin, Münster's Cosmographia, and Bernard (to take the second fascicle as an example), Jarry erodes the barriers that might normally separate an array of complementary opposites or near opposites: renaissance and the fin-de-siècle, intellectual and naïve, famous and anonymous, cherished and ephemeral, valuable and affordable, popular prints and "fine" prints. Finally, in giving a highly evocative reading of Dürer's woodcut, Saint Catherine, a reading that is essentially a symbolist poem that moves from emblems and formal elements to hallucinatory extrapolations, Jarry demonstrates his ability to tap the vitality of an old print and turn it toward a new purpose.