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20/21 | Collection | Conversation | Process 20/21 Gallery

Conversation: Place, Part II, Kansas

detail: June 16, 2004 by Paul Hotvedt
Paul Hotvedt
June 16, 2004
detail: June 10, 2004 by Paul Hotvedt
Paul Hotvedt
June 10, 2004
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I look for a generous landscape. Since all landscapes are generous I look for one that is just beyond my ability to paint to some degree of satisfaction. Standing there, or moving around, you are experiencing something through the body, and I try to seal that experience in an object with sight leading the way. My degree of receptiveness is something I always try to increase. Paintings are always incomplete and are ended at the point where failure is the most charming. Summer is not eternal. Space is, therefore, not limitless. Vistas collapse, intimate places expand. Study the old, copy the eternal, make the new. Hunt for it, fish for it, let it come to you.

Some day, we might have great books of pictures to make our histories clear to each other, and the pictures will be landscapes: light-filled, clarifying relationships, verified by a kind of data we are not yet capable of producing. Those are the landscapes I look for and try to anticipate.

Paul Hotvedt
Denise Low has responded to Hotvedt’s Kansas landscapes in a poem titled Blue. Van Gogh, which was installed in our elevator as part of the Spencer’s Elevator Poetry Dialogue.
Born in Kansas, I am a farm girl at heart, always loving the soil and the land as belonging to me.

I planted seeds and cared for seedlings. All my surroundings expanded my view of how Kansas is a place of beauty, a place of rest, a place where I can listen to the wind and the birds, feel the rain on my face and feel the hot sun beat down on my back.

Paul helps me remember how much I love all those special moments. Anonymous
2008-06-05
In all of Paul's paintings, as well as in his writings, he expands our appreciation of place and of observation, and shares incredible beauty. I am grateful Diane SimpsonAnonymous
2008-05-12

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